I’ve started catching up on the most recent season of Vikings. I’m 4 episodes in. The next three paragraphs are a titch spoilery. The fourth and fifth, though, are completely safe 🙂
Overall, I’m finding it a bit disjointed and boring — I skip the scenes in Wessex and most of those in Paris. I skip Wessex b/c I don’t care about those characters. I skip Paris b/c, despite liking Rollo (and knowing what he’s the start of), the resolution between him and princess whoever (Gisla?) was both boring and inevitable.
Back in Ragnar-land, I enjoyed the nod to Loki’s myth. Floki fled up a river to a waterfall (Franangr, anyone?) and was then discovered and caught. Floki was then bound in a cave with water dripping on his head — another fun nod to the myths — as was Helga (in Sigyn’s role) standing there, exhausted, arms trembling from catching the water in a bowl. Floki begging her to wake up and save him from the incessant dripping was also neat. A nice focus on her role and her sacrifice.
In my epic fantasy novel, Loki’s flight, capture and punishment is every bit as pivotal as it is in the myths. I also haven’t pulled any punches in my retelling of Loki’s horrific punishment as portrayed in the Lokasenna. The hard part is making it work for a modern audience.
And, of course, the complexity of the Aesir — and Odin in particular — is one of the most compelling aspects of Norse myth. I’ve tried to focus on those grey areas, to put their actions (as told primarily in the Poetic Edda) into context. Why would they do such things, if they were real people? And I’m trying to do it w/o modern condemnation of those actions.
When I finally finish this third rewrite, and publish the dang thing, maybe you’ll let me know how I did.