I’ve hired an editor to perform a “manuscript evaluation.” She’ll provide a written report which will critique my manuscript’s plot, character motivation, conflict, etc., narrative techniques (POV, scene structure, characterization, dialogue, etc.), and language (style, mechanics, word choice, etc.).
As a first-time novelist, I felt that this type of critique was crucial to:
- Figuring out if my book sucks
- Improving my craft (writing, not witch)
To be clear, I don’t think the book sucks. The beta readers would’ve told me (indirectly). But, I know it can be better. I’m just not sure where. And I don’t want to spin my wheels for a year figuring it out on my own. Hence the evaluation.
On October 31st I deliver my manuscript to my editor. So I’ve a good bit of time for another rewrite with a particular eye on character motivation and characterization/POV. If my handling of the characters suck, then no one will slog past the sample chapters.
She’ll have my manuscript for all of November. I’ll get her report back in early December. If I like what I see in that report (the good, bad and the ugly), then I’ll use her for the line edit. Which I’ll schedule quickly to make sure there’s minimal lag time between me finishing a revision based on the eval & her availability to start that line edit.
Ideally, the line edit will start by March 2017. Figure at least a month for her to finish (April 2017) then another for me to revise (May 2017). With a month’s leeway for the unexpected, I should be able to publish by June 2017.
Should being the operative word.
Of course somewhere in there I also need to: get awesome cover art, ISBNs, a proofreader, write my blurbs, etc., figure out my launch strategy (and tactics), and probably a few other things I’m forgetting. And once all that’s done?
Start back on “Book Two,” which I’ve already decided to break apart into multiple shorter novels (80-90K).
I’m pretty excited.