I have eight writing days until my deadline (the 19th). Yes, that math doesn’t work, but I typically don’t write on the days my wife works.
Eight days works out to roughly 30 hours of writing (assuming I hit my average hours writing per day). That’s not a lot (especially considering I dropped ~16 into one scene). I could probably scrape together another ~8 hours, but I can’t count on that.
The good news is that the work I’ve transitioned into is mostly “editing.” For me this means going through each chapter. Repeatedly. Here’s a short list of what I’m doing.
Revising chapter hooks
I make sure that the first sentence of each chapter begins with:
- The POV character’s name
- An active verb
- A decent hook.
This can mean considerable rewriting…or not. Depends.
Tip: If your opening paragraph is passive / boring, skip down a couple paragraphs. That may be where the “action” starts. Put that bit at the beginning and either delete or splice in the original chapter beginning. Usually does the trick. But, it takes some work. In my case I often end up “killing my darlings” … which are almost always purple. Or just bad.
Revising chapter endings
Search “how to end chapters” and you’ll get a bunch of hits with advice on how to end chapters. Personally, I can’t keep all that advice in my head at once.
I just try to do two things:
- Always end in the character’s POV
- Have them doing/thinking/saying something cool (that relates to the plot, etc.).
Then I move on — which leaves me where I am now: going back and working out the kinks.
Tip: I also try to tie the closing words / concept / thought / action of one chapter into the opening of the chapter right after it. Doing so can help pull the reader through from one to the other. I’m pretty crap at this.
Multiple editing passes
DGtS happens over a nine day period & that’s how I’ve organized my Binder in Scrivener. Each day consists of multiple POV chapters.
In my first “editing” pass I stick to one POV per book-day. Example: Odin has 2 chapters during Day 5. I’ll edit his consecutively rather than go: Odin > Frigg > Loki > Odin. This helps me keep the POV voice consistent from chapter to chapter.
During my second pass, I will work consecutively through each chapter so I’d edit Odin > Frigg > Loki > Odin. In this pass I’m more focused on the chapters flowing smoothly from one to the other.
Throughout these passes I’m looking at words: Are these the best words? Which words can I remove? Can I use fewer words to say the same thing?
But I also try not to get too nit-picky b/c that’ll slow down the overall process. And my editor will do that. But the cleaner my copy, the better her edit.
I’m also looking for inconsistencies, plot holes, opportunities to improve clarity, etc. .
Here’s an example. A bunch of rebels get captured in one of my early scenes…and are never referred to again. That makes no sense because in two later chapters Odin interrogates one rebel and then another.
So, I had to figure out a simple way of weaving in a reference to that first group of rebels. I can’t write a new scene b/c I don’t have time and it’d detract from what I’ve already written.
My solution: A two-ish line reference by Odin that essentially said “those bad guys were questioned but had no actionable info.”
Follow that thread
I’ve mentioned this in other posts, but there’s always a chance that when you change even a single line you have to fix everything else associated with that line. Just goes with the territory. I’ve chased quite a few already; hopefully won’t be too many more.
Overall, I’m confident I’ll hit my deadline. I’m at the point where more time won’t help…I’d just end up futzing with it. Gotta move forward!